Murder and Madness, Swedish Style

Crime fiction master Henning Mankell starts and ends Before The Frost (BTF) with some serious and largely American tragedies: the Jim Jones/Jonestown affair and 9/11, but the story largely takes place in Sweden. A familiar friend to fans of international crime fiction, police inspector Kurt Wallander, is joined in this novel by his daughter, Linda, who recently graduated from the police academy. Linda is in a sort of suspended-animation, living with her Dad and waiting for the budget to be freed up so she can start work as a police officer. Linda will work out of the same police station in Skane as her Dad, and this book has a lot to say about father-daughter relationships- one theme involves Linda's long-time friend Anna and Anna's father, who abandoned the family 24 years earlier.

One pleasure of the book is a re-acquaintance with officer Stefan Lindman, whom I first met in The Return of the Dancing Master. However, the story itself is sobering. Though murder and disappearance occur throughout, they are also accompanied by cults, religious fanatics, infanticide, lies, and issues of how well we really know anyone.

The book is complex, but not needlessly so. Some events are not linked to the main thread in the way one might expect, and Linda shows her innate intelligence, as well as her inexperience, while pursuing various clues and crimes before she officially puts on the police uniform. Linda jumps into the fray because her friend Anna disappears shortly after mentioning a glimpse of her long-absent father in a nearby town. This is a claim that Linda has trouble believing.

Linda accompanies her own father to several crime scenes and to interview witnesses, initially more by coincidence than design. Linda's involvement increases out of necessity as the crimes begin to escalate, Anna's disappearance grows more troubling, and even more people disappear. Linda also travels around Sweden and to Denmark in search of answers about her missing friend, putting herself at risk and being assaulted several times. Linda is afraid now and then, but she has the determination of her father, and fights through encounters with thugs, steel hunting traps, and Christian terrorists (and no, they aren't a fictional construct outside of Northern Ireland).

During the story, we learn about Linda's troubled teenage years, two suicide attempts (one of which was very serious), her struggles with both parents (before and after their divorce), her failed relationships with boyfriends, and her decision to change careers and join the police. In spite of these difficulties, Linda grows closer to her father in many ways as they pursue the case.

There are no easy answers for the Skane police force or its Baker Street Irregular, Linda, on this case. The contributions of many, including colleagues who don't like each other, help at various stages, and Kurt orchestrates the team with his usual, gruff skill. Ultimately, however, the story and final triumph are Linda's, even if the victory is partly hollow because of the story's casualties.

I've read a lot of Mankell's books now, including Faceless Killers, The Fifth Woman, The Dogs of Riga, The White Lioness and more. The books can be very violent at times, but Mankell never exploits the violence by overdoing things, he only introduces violence that is integral to the stories. These novels maintain a very high quality and never rehash the same territory. In his books, Mankell doesn't shy away from moralizing about intolerance, greed, selfishness, neglect, fanaticism, racism, fascism and more, but he usually has a pretty light touch with the moralizing. Kurt Wallander himself is refreshingly non-judgmental, though he meets a realistic cross-section of people from all sides of the moral universe in his police work.

Read BTF to find out who survives unscathed, who "makes it" but bears lasting scars, and who doesn't make it at all out of the tangled web.

Lost comments recovered as text (reverse chronological order):

• James Bashkin

Peter, I agree. The last two I've read mainly deal with crime in rural or small-town Sweden, yet they manage to incorporate WW2, contemporary fascism, Jonestown, 9/11, Christian terrorists, international Christian cults, and even more. The remarkable thing is it doesn't seem forced at all. Best wishes, Jim

• Peter

I haven't read Mankell's last few novels, but in the earlier books, I was always impressed by his ability to combine narration on international and local scales.
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Detectives Beyond Borders
"Because Murder Is More Fun Away From Home"
http://detectivesbeyondborders.blogspot.com/

• James Bashkin

Thanks so much, Chhaya! Yes, definitely friends. I'll reply in blogcatalog, too.

• Chhaya

even tough i write mostly romance, i NEVER read it. i love reading the criminal/thriller type! so glad to have found u... friends?

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The Return of the Dancing Master by Henning Mankell- a Review of this Swedish Police Procedural

Swedish author Henning Mankell has become well-known throughout the world for his police procedural novels, especially those about policeman Kurt Wallander. These novels typically involve gruesome murder, but are dominated more by the inner workings of Walander’s mind and his investigation of the clues than they are by the violence that pervades, say, one of the Kenzie-Gennaro stories by Dennis Lehane.

In The Return of the Dancing Master, TRotDM, we meet a new protagonist, Stefan Lindman. Lindman is a fairly young, though experienced, policeman who is greeted by two sets of bad news rather early in the story: he has a cancerous tumor in his throat that requires him to start chemotherapy in a few weeks, and Herbert Molin, his old partner and one-time mentor, now an elderly, retired policeman, has just been murdered in the remote area of northern Sweden to which Molin had retired.

Understandably beset by malaise, Lindman has trouble communicating with his girlfriend and doesn’t really want to talk to anyone about his condition or his possibly-impending demise. Instead, he feels like hopping on an airplane to the Spanish coast to drown himself in pity and alcohol in the company of strangers. However, as disconnected as he feels from reality, suffering what he thinks of as an old man’s disease while only 37, Lindman is roused by the tragedy of his partner’s murder, and ultimately decides to visit the scene of the crime during his medical leave, until it is time to start chemotherapy.

As everywhere, matters of protocol and jurisdiction must be followed in Swedish police procedures, and Lindman has every intention of doing so, but, since he is really just curious as a friend, he ends up at the actual murder site before contacting the local authorities. Lindman’s instincts as a detective kick in, and he notices a few things that had been overlooked by the local officers. This infraction against protocol earns the immediate resentment of the regional commander, but Lindman eventually finds an ally in the form of the highly effective, if somewhat oddly named, inspector Giuseppe Larsson of the Ostersund police force. Larsson is an intelligent man, and is grateful for the presence of Lindman, who not only continues to find evidence that had been overlooked, but serves as an excellent sounding board for theories. The two become de facto partners, while needing to hide this collaboration from higher authorities.

So, you ask, “What is unusual about this book? It seems to follow a relatively common formula…” I can assure you that the book is not common nor formulaic, however. It turns out that almost nothing and nobody, except Giuseppe, can be taken at face value here. The partner that Lindman thought he knew turns out to have had a hidden life, a life that terrified him, and which may finally have caught up with him. The killing itself is carried out by torturing Molin to death, and the circumstances are truly bizarre.

In the course of assisting the local police, unofficially, with their inquiries, Lindman uncovers facts about his own life and family that are profoundly disturbing, just as he uncovers facts about the existence of a neo-Nazi organization that is by no means a group of mere skinheads, but is a sophisticated and well-funded network.

In the Afterward, Mankell makes the usual disclaimers about TRotDM being a novel rather than a description of actual events and people, but he also says that, intermingled with the fiction, there is a set of truths, placed intentionally, for a purpose. These truths were as disturbing as they were illuminating. Although I have read extensively about the Second World War, I was completely unfamiliar with any close connection between some segments of Swedish society and the Nazi Party. However, this connection did exist, and more than a few Swedes served under Hitler as volunteers. In TRotDM, we learn about these wartime allegiances and how they may have survived to the present day. Of course, many Swedes also helped rescue Jews fleeing the Nazis, so this is no simplistic story, either in the book or in history itself.

The revelations about Fascism in Sweden come as a shock to Stefan Lindman. Able to work at the fringes of the investigation, he manages to employ unorthodox police procedure and to pursue possible tangents that end up becoming central to the story. Through Stefan’s eyes and ears we learn much about isolated Swedish villages, the varied terrain, the good-hearted people who live far from the bustle of cities, and the evil ones who might show up wherever a rock is overturned, be it at the side of a country road or in the confines of a modern business park. The book provides maps to help us follow all of Stefan's travels across Sweden.

The story is one of revenge, of the Holocaust, of wartime cruelty and long-delayed peace-time repercussions, of skin-heads and businessmen with the same agendas (if not tactics), of the repressed and suppressed memories of Swedish-Nazi collaboration, of how that collaboration may be continuing at this very moment, and of how this knowledge repels and horrifies the modern-day police investigators, who view Sweden as a peaceful country and who learned in school only of its careful neutrality during the war.

In the case of TRotDM, the policemen face a number of dilemmas, not the least of which is “What exactly the heck is going on? Are the murders connected? Is there a lone killer, a group of killers or several unrelated killers?” The revelations about complicity and duplicity take a good while to be completed, and we meet many well-drawn characters along the way. The young girl who works as a hotel clerk and waitress is a minor character, but she is very much alive. Life goes on, and sometimes stops, in small villages as it does everywhere else, regardless of what external circumstances may intrude.

Of particular interest, we are given entrée to the mind of a killer who was bent on taking revenge for war crimes against his Jewish family no matter what the cost– revenge he has been fixated on for more than 40 years. Nonetheless, this man is troubled by guilt about a number of things, though not the execution of his intended victim. This guilt causes the killer to stay in the area, at great risk to himself, to discover what forces may have been unleashed by his act of revenge.

Judging Herbert Molin’s killer is no easy task, even for his official pursuers, the policemen Stefan and Giuseppe, and even though the costs of his crime include many unintended consequences: a pleasant country constable ends up shooting someone dead and never really recovers from the experience, and other murders are committed. As the story unfolds, the killer must evade police dogs and police cordons, and a fascist group that is determined to trap and exterminate him.

Caught up in the crimes, Stefan is largely able to forget his fears of death and throat cancer while he works in tandem with Giuseppe to peel back every layer of the mystery, though, at night, when he is alone, the fears usually return.

Is it acceptable to take “an eye for an eye”? Clearly not in the view of Swedish law, which, like most developed nations, does not allow capital punishment. But is it acceptable under some circumstances? Stefan and Giuseppe must answer this question very specifically as the mysteries are wrapped up, just as they must acknowledge the hidden and shameful past that haunts a part of the Swedish soul, perhaps even with living ghosts. Author Mankell provides us with everything we might want in a novel, and adds extra elements that give the book an unusual resonance: suspense that ebbs and flows; human frailty and courage; stark terror; the remorse associated with unintended consequences of one's actions; historical fiction that exposes the (unfortunately, all too common) savage secrets of nominal wartime neutrality; several likely and unlikely comradeships; a backdrop of Swedish villages and beautiful lodges; and wonderful language.

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Nightlife, thrilling crime fiction by Thomas Perry– a Review

Nightlife: A Novel

I have enjoyed a number of Thomas Perry’s books, especially the early books in the Jane Whitefield series, a set of books about a Native American woman whose special gifts allow her to help people disappear from the face of the earth, assume new identities, and escape the evil that men would do.

Like the Whitefield series and many of my favorite detective stories (see books by Cara Black (Cara Black's books), Linda Barnes, and many others discussed on this blog), Nightlife also has a woman protagonist: Catherine Hobbs, who is a homicide detective from Portland, Oregon. Catherine is on the trail of a murderer and possible kidnapper, or perhaps several murderers; her picture of the crimes is muddled at first by a profusion of contradictory and incomplete evidence. We, on the other hand, have the advantage of hearing the killer’s own thoughts, though they are dissociated enough from reality that it takes some time to filter them properly and obtain some semblance of the truth.

The first victim whose murder Catherine investigates is Dennis Poole. She is joined nearly from the start by a private detective and retired member of the L. A. district attorney’s office, Joe Pitt. Pitt is extremely charming and an experienced investigator, and was brought on board by Los Angeles-based crime boss Hugo Poole. Hugo and Dennis, as it turns out, were cousins. What bothers Hugo, and Catherine for that matter, is that Dennis was, in a nice way, simply “a nobody”: a nondescript computer salesman in a seemingly boring job, one that he actually loved and was good at. Dennis was not a “player”, he was just a pleasant and unadventurous fellow, highly unlikely to meet the kind of person who would do him in. Yet the murder was clearly committed by a close personal acquaintance, or, more likely, with the unwilling help of such a person. Certainly someone involved was intimate enough with Dennis to have access to his apartment while Dennis was taking a bath. Access enough to walk up to Dennis and shoot him in the head during that relaxing bath. At least he never saw it coming- his eyes were closed while he rested in the tub after a long day at work. Perhaps, Hugo worries, the killing is some kind of retaliation for one of Hugo’s criminal enterprises in L.A.

There is immediate concern about the location of Dennis’ new girlfriend, whose presence is indicated all over the apartment, but who has disappeared. Was she used by a thug to gain entrance to the apartment, is she still alive, was she a witness to the crime?

The excitement and considerable suspense of Nightlife make for an enjoyable ride. At the heart of things is a killer who is nuts (a technical term), but who has developed an extraordinary skill at identity theft, and at preying on unsuspecting victims carefully set up for the kill with detailed planning. The killer’s mental illness manifests in the way that each new personality and identity are truly inhabited, bringing to them an authenticity of performance that fools everyone.

Adding to the suspense, one never knows what the murder will look like, or what the murderer’s new name might be. However, Catherine applies insight and exhaustive detective work to track the schizophrenic killer, hoping to put a stop to the seemingly endless trail of victims who are apparently connected by nothing except their availability and ready assets. Catherine is, however, able to tease out of the matrix of assembled and possibly unrelated data a couple of threads that send her off to investigate.

With a small but significant amount of help from Joe, Catherine finally tracks the killer down, but she is off her home turf, without backup, and in serious danger before she figures out the complete story. When Catherine realizes the new identity that the killer plans to assume, she is horrified, frightened and more determined than ever to try to stop the serial killing. Who survives this final struggle? Read Nightlife to find out.

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For excellent fiction: SOHO Press and Powell's Bookstore

1. SOHO press and SOHO crime. This publisher has a remarkable ability to find brilliant writers, including crime writers, from around the world. With settings in Australia, New Zealand, Paris, Italy, Alaska, China, Japan and other places, the books can step far out of the standard police procedural or mystery patterns, but even if they don't, they step far out of most people's comfort zones both culturally and geographically (no matter where you live). This adds much to enjoy. Many bookstores don't carry SOHO, or only have a few volumes available. Hence, the importance of the next point:



2. Powell's Books is acknowledged by many as one of the best bookstores in the world, if not THE best. Check out their top 10 lists in Crime Fiction and Featured Books.

Here is my own list of recommended crime and mystery novels available at Powell's. I have read, and endorse, them all. This is just a start- there will be many more books added. I put in several links to Charlotte Jay's "Beat Not the Bones", winner of the very first Edgar Award, because it is a bit scarce, and I didn't want to send you to a sold-out version. I'll be writing reviews of all of the books on my list when I can. I strongly recommend reading Cara Black's books in order they were published. I'm still reading "The Woman Who married a Bear" by John Straley, but the early reviews are strong.


Powell's supports the Green Press Initiative (see here for the organization's main site). Having worked in Green Chemistry, I know first hand that publishing and the paper industry are certainly areas that can benefit from environmentally-aware innovation.

Acknowledgments: I would like to thank my brother John and my good friend John F. of St. Louis for introducing me to most of the authors and books on my current crime fiction list. They have also introduced me to many books that will make their way into the other fiction lists I will be putting together. I had thought that this acknowledgment would show up on the list itself, but I must have misunderstood, so here it is.




Here you can search Powell's Bookstore for anything:

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