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Showing posts with label Arturo Perez-Reverte. Show all posts
Showing posts with label Arturo Perez-Reverte. Show all posts

Saturday, November 15, 2008

For the love of language (and politics), plus comments on a few of the latest books I've read

I find myself compelled to point out that Sarah Palin is suffering from "Aleutians of grandeur."

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I just finished a few books sent to me by my brother, lent by friends, and some that I even purchased (that should make the authors happy, though if they only knew how many books I have, they might forgive my current quasi-moratorium on buying more). These recently-read books include Hitler's Peace by Philip Kerr, which was not as engaging as his most engaging books, and at times seemed awkward or forced, but was compelling, nonetheless, and ultimately both illuminating and intriguing. OK, that doesn't sound like a ringing endorsement, but remember that this is a favorite author of mine who reaches the highest standards in most of his books, if not quite in every case. However, I encourage you to read Hitler's Peace, both for the excitement and for the window on a fascinating time in history.

Prior to that, a selection of what I read includes Vicious Circle by Robert Littell, The Mayor of Lexington Avenue by James Shehan, much of Collapse by Jared Diamond (still reading it), and the single volume containing the novels Fatherland and Enigma by Robert Harris.

Here are a few additional recent reads: Water Touching Stone by Eliot Pattison (excellent), Spook Country by William Gibson (judged by the highest standards, very good), and The Painter of Battles: A Novel by Arturo Perez-Reverte (see below).

Collapse is a fascinating book that can be read in bits and pieces, or straight through. I'm still filling in the parts I skipped over, aided in my journey by never using a bookmark and continually starting up in random places (a Dadaist approach, perhaps, but don't you feel the Dadaists need a little more attention now and then?). Collapse offers a lot of hope while also documenting many monumental failures of societies throughout history; it comes from the author of the highly touted Guns, Germs and Steel, also touted (and toted) by my high school age son. I haven't read Guns, Germs ... yet.

The other books I listed are all very good or better, though The Mayor of Lexington Avenue is excellent for 95% of the book, and just OK for the other 5% (don't hold me to the numbers, these are impressionistic statistics, if there are such a thing). Still, The Mayor of... is quite an amazing first novel, with outstanding characters, plot and setting that stretch over two generations, from the poor to the rich and powerful, and from New York to a Florida backwater. I think that if the author had grappled with one less issue or subplot, the book would have remained uniformly outstanding. Nevertheless, it is highly recommended.

Although I've read all of Littell's other books except one, I had made a conscious decision not to read Vicious Circle. I felt the same way when The Little Drummer Girl by le Carre' came out- at the time that I just couldn't handle the subject matter (the Middle East conflict) as "entertainment," though, of course, the book is far deeper than that comment implies. I know this because, after about ten years, I broke down and read John le Carre's take on a part of the Middle East conflict, and was glad I did, and, after my brother sent me Vicious Circle I broke down again and read it as well.

Littell writes so well that I found myself laughing out loud in the middle of very tense scenes. As always, his wonderful language and characters are brilliantly crafted. Still, Israeli and Palestinian people and their many issues are not an easy thing to read about, especially when they are kidnapping, murdering, torturing and negotiating for peace (simultaneously, if not all by the same individuals). I felt that Littell was extremely balanced in his treatment of all sides, and the book is gripping from start to end. Unfortunately, I cried a lot more than I laughed, but that comes with the territory in this case.

The novels by Robert Harris left me a bit flat, Enigma more so than Fatherland. I have to say that the premise of Fatherland is very clever and brilliantly executed, and was used to build up a remarkable, alternative universe, though one where the truth will out. The premise is that Germany won WW2 and, among many other consequences, no GI's liberated any concentration camps. The storyline itself isn't quite as strong as other aspects of the book, though it serves as a good thriller with chilling revelations. Enigma perhaps simply wasn't the book I was expecting- I kept looking for that book on each page and coming up empty. It is definitely worth reading, however, and is another WW2 thriller, with an associated murder mystery.

The Painter of Battles by Perez-Reverte is an unusual book. It is by far the shortest book by the author, as far as I know, but it took me an unusually long time to read. There are a lot of pithy sentences and analyses of paintings and warfare, from ancient to modern. Not that this is a textbook by any means; it is a psychological thriller, and the tension can reach high levels, but it's also a no-holds-barred examination of modern morality, warfare and societies. The language demands an attention to detail that I could not always provide (say at the end of a long day) and I wasn't always alert enough to grasp the point, though I rarely have this problem with books (or with the books I choose to read, in any event). I'm not sure I'm erudite enough to grasp all of this novel, either. My knowledge of art history is fairly spotty- I've seen a lot but haven't studied it, so I tend to forget the details. Nevertheless, the stories within the novel are well worth reading since they are based on real events, more or less, events that were highly significant to the participants and some of their observers, but were probably given little thought by most other people. As with quantum physics, we see here that the observer changes the "experiment" or experience, and here the consequences can be tragic. I'd label this short novel a "must read"!

That's it for my capsule summaries and other comments of the day.

© 2008 James K. Bashkin

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Thursday, December 6, 2007

Death in Spain, Murder and Race Relations in Boston and Philly- Part 3

The Flanders Panel (TFP) by Arturo Perez-Reverte was written by one of my favorite authors. I have read about 80% of his novels that have been translated into English. The writing is always outstanding. Unlike with many authors, these novels span genres, styles and subject matter, and have settings that are modern or historical, or both.

Chess plays a big role in TFP. Earlier this autumn I read and discussed Katherine Neville's cult classic, The Eight, in which the game of chess is also central to the story. TFP isn't a stuffy book by any means, however. We experience a world of Madrid's beauty, love and betrayal in distant the past and present, modern dance clubs and vices, art galleries, collectors and dealers, threatening businessmen, fast-living bums and studious academics. Oh, and plenty of murders that don't seem to make sense.

In TFP, first we meet Julia, a beautiful art restorer who is working on The Game of Chess, a painting from by the Flemish master Van Huys that needs some work before it can be auctioned. Julia has just received a set of X-ray photographs of the painting, and they reveal a surprising and startling secret. Underneath layers of paint, yet dating to the time of the original painting, is a Latin inscription visible only via the X-ray results:

Quis Necavit Equitem
The translation she immediately carries out yields "Who killed the knight?" It turns out that other slightly different translations are also possible, and perhaps valid.

Although "The Game of Chess" had been known for 500 years, and even hung in the Prado during the early part of the 20th century, the discovery of a hidden inscription has the chance to increase the painting's value greatly at auction, so the wolves start circling immediately. An auction is planned shortly in order to raise money for the once-patrician, and currently dysfunctional, family that owns the piece of art and history.

I like the idea of a place, Spain is this case, where a stunningly beautiful woman devotes herself to restoring and researching art and who has the background to read Latin with aplomb and write brilliant summaries and analyses of the provenance and authenticity of classical paintings. In such a place, I could perhaps live happily, maybe with a job as museum guard. Even though this seems like one idiot's version of paradise, the idiot being me, Julia is in for an extended patch of stormy weather. However, she may turn out to be one of the lucky inhabitants of this intriguing place where new and old worlds collide.

One of the pleasures of this book is the chess puzzles, the first of which is the puzzle left by the painter on the the canvas, one that does not require X-rays to be revealed. The painting shows a chess game between two men, a nobleman and a soldier, being played while a woman sits in the background reading a book. The whole scene is reflected in a mirror, and the floor tiles of the room represent the pattern of a chessboard. The actual chessboard used for the game is placed between the two male subjects, who are rendered precisely, as are all of the details of the room. The artist painted in an intricate style, and even the room's reflection in the mirror can be seen. The chess pieces and their placement on the board are clear, and the game has progressed quite far, though not very conventionally.

The first part of the puzzle is to work the painting's game in reverse and determine which piece took the white knight. Why? Because the painter seems to have constructed the entire painting to be a set of clues to a centuries-old murder. Julia solves this puzzle and its sad secrets with help from friends- an old family friend and a new recruit from a local chess club. The chess puzzles in the book are enhanced by pictures of chess boards, so you can try to work out the next (or previous) moves on your own.

However, while further researching the painting and its refractory inscription, odd events begin to occur around Julia, and several of her friends are murdered. It seems that she and her friends have to solve a new chess puzzle based on the game in the painting. The new puzzle is being set for them by some sort of deranged chess master, and it seems to encompass the lives and deaths of the painting's subjects and of Julia et al. The killer starts playing the painting's game forwards, and the taking of pieces corresponds to more murders. Anticipating the next move becomes a matter of life and death.

Will Julia survive? Is she the White Queen? Which of her friends are represented by the other pieces on the board? Which themes from Greek tragedy will play a prominent role? Perhaps the day be will be saved by Julia and an unlikely hero, an introverted chess master who never wins a game, but settles for showing his opponent that he could win if wanted to. At least this one time, settling for a moral victory could prove fatal. With all the confusion, possible betrayals, accelerating pace, and substantial odds against Julia's coterie, perhaps the game will will be lost. Read The Flanders Panel to find out.

Note added afterwards: I forgot to mention that I especially enjoyed reading that Julia listens to the music of Michael Edges! Mr. Hedges was never edgier.

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Monday, December 3, 2007

Death in Spain, Murder and Race Relations in Boston and Philadelphia- Part 2

A Drink Before the War (ADBTW) is a tale of dirty politicians, drug wars, race relations (good and bad), and private eyes who operate outside the law with impunity. Add to this an unhealthy dose of behavior right out of a Greek play by Aeschylus and you have enough ammunition for a high-energy, high body count thriller. However, author Dennis Lehane doesn't stop there in his first novel about private detectives Angie Gennaro and Patrick Kenzie. He takes on the problem of battered spouses, and he adds the baggage of growing up in a neighborhood where "hood" is the operative word, and the criminal in question may well be your Dad.

The good guys, the bad guys and the men, women and children who straddle the moral line come mostly from Irish, Italian, and African American ethnic groups that dominate various Boston neighborhoods. There is no correlation between socioeconomic status and moral character, though the poor and homeless beat the Statehouse crowd hands down when it comes to true character.

So, what is different about this book from all similar crime novels? The book differs in the way it addresses issues of race and class, head on, and pulls no punches. Some of the book touches raw nerves, but it does so by providing dialog and scenes that authentically portray how some black and white friends (and enemies) would discuss and argue and fight and make truces, or not make truces, depending on how far things had gone. Of course, this means that the book doesn't offer us any easy answers, or any answers at all, but with many of these issues, a whole a lot talking needs to go on before it will be possible for communities to agree on answers. ADBTW adds to the dialog and doesn't exploit the characters.

One additional subplot that rings true is the way that Kenzie, who has been in love with Gennaro since childhood, constantly subjects her to sexual harassment in the course of their professional partnership while simultaneously acting as avenging angel towards Gennaro's wife-beating husband. Patrick Kenzie isn't perfect, and he isn't a saint, and he still hangs out with old friends who are serious criminals, and he can barely control himself when it comes to Angie, and he doesn't have pat answers to serious problems facing society. On the other hand, with any matter not involving Angie, he does know right from wrong, if right and wrong can actually be identified. In this book, as in life, just identifying the right course of action can be difficult, and following it can cause considerable anguish, offering no reason for celebration once the final step is taken.

James K. Bashkin

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Friday, November 30, 2007

Death in Spain, Murder and Race Relations in Boston and Philadelphia- Part 1

I very recently read The Flanders Panel (TPF) by Arturo Perez-Reverte, A Drink Before the War (ADBTW) by Dennis Lehane and Devil's Corner (DC) by Lisa Scottoline (which I had read once before). On the surface, these books have very little in common. TPF is a literary thriller and murder mystery that spans 500 years, involves the game of chess and revolves around a Flemish painting being restored by a young woman in contemporary Spain. ADBTW marks the gritty debut of Patrick Kenzie and Angie Gennaro, a team of private detectives from a working-class South Boston background who have stayed close to their roots. DC is a legal thriller about an upper-class Assistant U.S. Attorney who rolls up her sleeves to solve a murder in her father's old neighborhood; it has neither literary nor gritty pretensions, but offers an effective and entertaining story.

In spite of the genre differences, there are some threads that link the books, however. I read (actually re-read) DC because I needed a break from grittiness, and because I was frustrated that I couldn't remember the final twist to the plot. Vicki Allegretti is another Italian-American, Roman Catholic attorney from the Scottoline stable that numbers 12 or more novels. While the Scottoline protagonists are all women, they vary in a number of ways- some are working class, but Vicki grew up with all the advantages of a gated community, an Ivy League education and meddlesome parents who are both lawyers. The book offers a sober look at inner-city Philadelphia by reproducing transcripts from drug trials at the start of each major section. We read on the book's first page from the testimony of a someone who started dealing crack cocaine at age 13. The story itself opens with a nightmare of a night for Vicki: while trying to meet with a confidential informant (CI), Vicki walks in on an apparent robbery. Her colleague, an ATF agent, is killed and so is the CI.

Although this would seem to be a high-profile case, the outbreak of a (related) drug war pulls law enforcement resources in other directions and Vicki decides to investigate on her own. Vicki eventually forms a shaky alliance with the woman, Reheema Bristow, whom she was trying to prosecute, a young black woman who had supposedly bought firearms and then resold them to a criminal. The relationship between Vicki and Reheema starts off about as badly as possible. Not only does Vicki hold Reheema in custody (for a short while) after her only evidence died along with the CI, Vicki is so upset about the death of her partner Morty that she assaults Bristow in the Federal Building, with a public defender present.

Things get interesting when Vicki looks for Reheema's mother, trying to dig for facts about Reheema, and finds that the older Bristow is a drug addict living in the neighborhood where Vicki's father grew up, the tough streets of Devil's Corner. Snooping in the Bristow house and unaware that Reheema's mother has run of with her purse and cell phone, Vicki is surprised to find medals and photos of Raheema's career as a track athlete, supported by her mother, who poses with the team in one snapshot. Mrs. Bristow ends up being murdered that very night, and as Vicki continues to snoop, Reheema confronts her with a loaded gun. Antagonistic, but both wanting justice for Raheema's mother, the two young women slowly form a truce and then an alliance to investigate exactly what the heck is going on and why the police aren't following up on the cases. As the story progresses, the question of how this promising black schoolgirl and athlete became a tough criminal metamorphoses into the question, "Did she ever become a criminal?"

"Devils Corner" encompasses the subjects of decaying neighborhoods, police neglect, political corruption, the drug trade, the utter lack of regard for life that is found in sociopaths who inhabit all "classes" of society, and manages to toss in a love interest for Vicki that she sublimates by getter deeper and deeper into the mystery in a way that only Raheema's help could allow.

Needless to say, this book would not be mistaken for a Dennis Lehane novel or the script for an episode of The Wire. It treats difficult subjects head on, and with considerable detail, but the perspective and tone remain unashamedly rose-tinted under all but the worst of circumstances. Ms. Scottoline doesn't write to expose the rawest nerve endings of a city's lawless drug culture, but she does draw attention to serious problems, including race relations, while telling a good story. So, good for her. Some mornings I just don't feel like waking up to the booze-laden bad breath of Harry Bosch or John Rebus. Some nights I just don't feel like reading about the details of an evisceration, an autopsy or a the last living moments of some unfortunate victim of violent crime. Of course, the people who live out on the street don't get to choose where and when they encounter ugliness and depravity, so I'm very lucky. Nevertheless, only about 2% of my reading solution consists of books like DC.

ADBTW reminded me straight away, before I'd even opened the book, of When the Sacred Ginmill Closes, the early Matthew Scudder mystery by Lawrence Block, whose title is taken from the Dave Van Ronk song Last Call. At first, I mistakenly remembered the song title as "Closing Time". I liked that book so much that I spent about 5 years trying to find the van Ronk tune on CD (Going Back to Brooklyn). The CD was re-released in 2006, and when I finally played Van Ronk's tune, I was not disappointed. Unfortunately, the CD is so unremittingly bawdy that I didn't feel comfortable putting in on when my kids were around (and I still don't- they are 13 and 15). Anyway, do give Dave a listen- he combines jazz, blues, ragtime and folk, and sings in a way that a real Dylan fan can appreciate, but with wider appeal as well.

OK, back to an unremitting murder and mayhem. As you may have read, I had mixed feelings about Gone, Baby, Gone, the recent paperback volume in the Kenzie/Gennaro series. However, I felt the language and tone were excellent, it was the plot that just didn't ring true at the end. However, ADBTW stunned me: this book is a must read.

James K. Bashkin

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Friday, September 7, 2007

Queen of the South, Club Dumas, Fencing Master, Seville Communion, Nautical Chart

Let's step away from Tibet and China for a moment to discover and briefly discuss Arturo Perez-Reverte, Spain, Mexico and a wild ride across the continent of Europe. This selection of books spans the very broad range of this master storyteller from Spain.

(a) The Fencing Master is a period-piece swashbuckler, with a twist or two or ten- a joy to read, a thrilling ride, and offering a secret fencing move. I read it a while ago. Having fenced on foil for a short while in college, and on epee in graduate school, betrays a lifelong fascination with the sport and the art that makes me readily susceptible to such stories: as a youngster I read The Scarlet Pimpernel and other books, like the Prisoner of Zenda, that hark back to days when evil men left scars on the faces of their antagonists, and Royalty was going in and out of favor throughout Europe. The Perez-Reverte book is more detailed about life, politics, history and its characters than Pimpernel or Zenda were, and is written with much richer language, though the latter two books remain a good summer reading (and the Scarlet Pimpernel will show you a thing or two about the French revolution). Perez-Reverte's book was apparently made into a feature film in Europe, but that doesn't seem readily available. A pity, perhaps, because little goes together as well as a good sword, a beautiful and mysterious woman who fences brilliantly, and an old master with all the moves.





(b) The Club Dumas is a contemporary supernatural thriller with antiquarian leanings, also brought to the silver screen, with temptation lurking around every corner and salvation perhaps nowhere to be found. It rushes through Europe faster than a middle school class on Spring Break: I used an Atlas a few times (and I've lived in Europe). It was made into a film starring Johnny Depp and directed by Roman Polanski (a favorite director of mine). The movie is entertaining. The book is intriguing- it pulled me into its riddles and mysteries, and a very good read.







(c) The Nautical Chart, a contemporary story of greed intertwined with sunken treasure from the Spanish empire, a ne'er do well sailor cut from the same cloth as Philip Marlowe, and museum curators: it contains some of the most brutal and tragic betrayal imaginable, along with wonderful seafaring, diving, that ever-elusive Jesuit treasure, and navigational mysteries and histories around the treacherous waters off Spain and Gibraltar.




(d) The Seville Communion, a story where where Vatican enforcers battle (apparently) a small parish church in Seville. Defending the church may be a set of miracles along with those parishioners who would like to prevent it from being sold off knocked down in the name of progress. Is the church really protecting itself? Are the results of miracles being witnessed? Who is the brilliant computer hacker who has penetrated Vatican accounts, and what prices must be paid when you do get want you want? How many bodies will be sacrificed? To what lengths will the church, the enforcer and the ladies of of the church go? Read it and find out!


e) The Queen of the South, is my pick for book of your book of the year (it already was mine a while back). The story starts with drug running from Mexico to the US, in a world where dying well enough to earn a personal folk song (corrido, or narco-corrido) is the highest ambition of many of the foot soldiers. Things move abruptly to North Africa and Spain, and eventually return to the scene of the first page, back in Mexico. The story does not have a linear timeline, it begins at the end, or just before the end, and then backtracks through the long journey from home, abroad, and back again. We follow the rise of a remarkable woman from naive drug moll, running scared with good reason, to the greatest heights of the international drug trade. Much of her education comes from a stay in Spanish prison after yet another of her men has died on the job (running drugs around treacherous coastlines while dealing with fast pursuit from naval ships and helicopters). Being her friend is exhilarating until it ends your life, one way or another, but there may be no greater glory than do die in the service of the Queen. Your song will be forever sung.

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Thursday, September 6, 2007

Books: Perez-Reverte; Guitar commentaries; chemistry

Literature: For those of you who arrived hoping to read about novels, I'll sneak in a mention of one of my favorite authors, Arturo Perez-Reverte. Click the link to see what Powell's has to offer by him. Reviews of individual books to appear later.

Music and guitars: for those waiting on guitar and equipment reviews, they are still under construction. zZounds offers the widest selection of name-brand instruments at guaranteed lowest prices. You can purchase over 125,000 different products from their website 24 hours a day. Click here to look!

I play a bunch of things: a Taylor Leo Kottke 12-string (great guitar, from Eddie's Guitars in Maplewood, MO), a bunch of Godins (love them), a Strat Plus (from Silver Strings, St. Louis- I have the most confidence soloing on this), two 1972 Tele Custom reissues (One nice Squire w/5 strings a la Keef, one gem made in Japan "not for export" w/brass bridge), a Fly deluxe (funny guitar- the volume knob placement and body resonances can drive me nuts, but the neck and frets are great) and Midi-fly (without the midi working yet, but this is a great guitar), a low end Brian Moore w/13-pin, and some nice, but not amazing, acoustics (Alvarez dreadnought, Ibanez larger body style, baby Taylor). I have to share all these with my son Jacob, who also has some Jacksons and classical instruments, and who plays rings around me at age 14. He doesn't share his guitars with me.

Just a quick note on Science: I referred briefly to Green Chemistry in my first post. Here are a few resources for the scientifically-inclined (click on the links to go to the resource pages):

A synopsis of work I was involved in

and the home page for the

Green Chemistry Resource Exchange

See also page 2 of my bookshelf at Powell's for related books. The theme is either "books on Green Chemistry" or books written by Green or Greene, plus one huge and comprehensive encyclopedia of catalysis put together by a friend. The books by Green and Greene were too good to keep off the list, though they are for transition metal organometallic chemistry and protecting group chemistry, respectively, which are just peripherally related to "Green Chemistry".

For more on Green Chemistry, don't forget to check out my links to the EPA's program from my earlier post!

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